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His landscapes, again, were a synthesis of all landscapes, a grouping of the great truths of light, air, shadow, space. Whatever he turned his hand to was treated with that breadth of view that overlooked the little and grasped the great. He painted many subjects. His earliest work dates from 1627, and is a little hard and sharp in detail and cold in coloring. After 1654 he grew broader in handling and warmer in tone, running to golden browns, and, toward the end of his career, to rather hot tones. His life was embittered by many misfortunes, but these never seem to have affected his art except to deepen it. He painted on to the last, convinced that his own view was the true one, and producing works that rank second to none in the history of painting.

The _AEdileship_ was originally a Plebeian office, instituted at the same time as the Tribuneship of the Plebs.[39] To the two Plebeian AEdiles two Curule AEdiles were added in B.C. 365. The four AEdiles in common had the charge of the public buildings,[40] the care of the cleansing and draining of the city, and the superintendence of the police. They had also the regulation of the public festivals; and the celebration of the Ludi Magni, or Great Games, was their especial function. Originally they received a sum of money from the state to defray the expenses of these games, but the grant was withdrawn about the time of the First Punic War; a measure attended with important consequences, since the higher magistracies were thus confined to the wealthy, who alone could defray the charges of these costly entertainments. After the Macedonian and Syrian wars, the Curule AEdiles often incurred a prodigious expense, with the view of pleasing the people, and securing their votes in future elections.


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