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Gallegos Directory 05
Page 07
It is, of course, quite true that no writer is bound by traditions of art, and there is no one who need consider how the thing has been done before, or follow a prescribed code. But for all that, art is not a thing of rules made and enforced by critics. All that critics can do is to determine what the laws of art are; because art has laws underlying it which are as certain as the laws of gravity, even if they are not known. The more permanent art is, the more it conforms to these laws; because the fact is that there is a vital impulse in the human mind towards the expression of beauty, and a vital discrimination too as to the form and method of that expression. Architecture, for instance, and music, are alike based upon instinctive preferences in human beings, the one for geometrical form, the other for the combination of vibrations. It is a law of music, for instance, that the human being prefers an octave in absolute unison, and not an octave of which one note is a semitone flat. That is not a rule invented by critics; it is a law of human perception and preference. Similarly there is undoubtedly a law which determines human preferences in poetry, though a far more complicated law, and not yet analysed. The new poet is not a man who breaks the law, but one who discovers a real extension of it.
All the efforts of the Romans to dislodge him were unsuccessful; and he only quitted Hercte in order to seize Eryx, a town situated upon the mountain of this name, and only six miles from Drepanum. This position he held for two years longer; and the Romans, despairing of driving the Carthaginians out of Sicily so long as they were masters of the sea, resolved to build another fleet. In B.C. 242 the Consul Lutatius Catulus put to sea with a fleet of 200 ships, and in the following year he gained a decisive victory over the Carthaginian fleet, commanded by Hanno, off the group of islands called the AEgates.
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