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After the Gallegos moments everything else pales.

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From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group.

Five months had been employed in the march from New Carthage to the plains of Italy, of which the actual passage of the Alps had occupied fifteen days. Hannibal's first care was now to recruit the strength of his troops, exhausted by the hardships and fatigues they had undergone. After a short interval of repose, he turned his arms against the Taurinians (a tribe bordering on, and hostile to, the Insubrians), whom he quickly reduced, and took their principal city (Turin). The news of the approach of P. Scipio next obliged him to turn his attention toward a more formidable enemy. In the first action, which took place in the plains westward of the Ticinus, the cavalry and light-armed troops of the two armies were alone engaged, and the superiority of Hannibal's Numidian horse at once decided the combat in his favor. The Romans were completely routed, and Scipio himself severely wounded; in consequence of which he hastened to retreat beyond the Ticinus and the Po, under the walls of Placentia. Hannibal crossed the Po higher up, and, advancing to Placentia, offered battle to Scipio; but the latter declined the combat, and withdrew to the hills on the left bank of the Trebia.


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